‘The Sculptor Speaks’ at Hepworth Wakefield by Olivia Louvel

Usually I unplug and pack when I leave, so it was weird leaving the gallery with my work still on, hearing the sound in the distance.

Last time I visited the Hepworth Wakefield Museum was July 2017. In October 2017, I collected footage on the beach in St Ives, not knowing this would form the backbone for the visuals of ‘The Sculptor Speaks’. What an absolute treat to be included in the exhibition ‘Barbara Hepworth: Art & Life’. I enjoyed visiting the exhibition, so dense I visited twice.

Exhibiting the work within Barbara Hepworth’s sculptures brought some constraints - for instance the image had to be quite high on the wall - but also rewards, as one could navigate between her sculptures and my audiovisual piece. Particularly Hepworth’s Spring with its array of strings was resonating with the geometric line being slowly drawn on the wall. The acoustic of the room - gallery 1 - was vast, therefore very reverberant. From the other galleries, we could hear in the distance her voice, as a floating entity. I could envisage how the piece could be developed for multi-speaker diffusion, so I could isolate Hepworth’s voice in the room and create movement of voice.

Hepworth’ s voice was resonating in her own space.

You can also view my piece online here

Searching for the remnants of the forest: Doggerland by Olivia Louvel

Now back home, and in isolation since Thursday - NHS text and trace app flagged us - awaiting results as I write. I was away searching for the remnants of the forest on the Lincolnshire coastlines, exploring Doggerland, the area of land that used to stretch between today’s coast of Britain and Europe. Doggerland was a place of human habitation, now under the North Sea.

The search for the submerged forest was demanding but rewarding: were found tree stumps, tree trunks and fossilized trees in clay on the beach in two locations in Lincolnshire. I am now organising footage, as well as making transcripts of my audio diary, hand-written notes. I am holding back sharing images with you for now, until the audiovisual piece is near completion - this could take a while.

The outcome will most likely be multipartite.

Claiming a hastag #doggerLANDscape

This research on site was possible because of funds awarded by the Arts Council of England.

Photography: Paul Kendall

Photography: Paul Kendall

‘Hepworth Resounds’ Talk for Yorkshire Sound Women Network by Olivia Louvel

I am currently preparing a talk for the Yorkshire Sound Women Network
date: 1st of June. https://www.eventbrite.com/e/olivia-louvel-hepworth-resounds-tickets-154830824163

"Sound artist and composer Olivia Louvel talks about her work, which combines voice, electronic music and multimedia with compelling narratives drawn from archives, texts and other documents. In particular she’ll be revealing the inspirations and technology behind her most recent project, 2020’s [Hepworth Resounds], which explored the life and creative work of Wakefield-born 20th-century sculptor Barbara Hepworth.” https://yorkshiresoundwomen.com/event/olivia-louvel-hepworth-resounds/

Yorkshire Sound Women Network (YSWN) was founded in 2015 by women working in the sound technology industry who wanted to use their skills and influence to address gender and racial inequality. YSWN’s mission is to support a flourishing industry which welcomes, encourages and progresses the inclusion of women at all levels from studio floor to board room, and reflects the diversity of its participating communities.

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Aesthetica Art Prize by Olivia Louvel

My sound art installation ‘The Whole Inside’ has been selected for the Longlist Aesthetica Art Prize.

I am delighted to be featured in the anthology Future Now 2021: 125 Contemporary Artists from the Aesthetica Art Prize.

The Aesthetica Art Prize is a place of discovery. Each year we bring you the most talented practitioners from across the world who are making new and innovative works. These pieces discuss the current state of play and dive into some of today’s most pressing topics. Art is the mechanism by which we can begin to make sense of a rapidly changing world. If there has ever been a time that we need art in our lives, it is now. Genres include painting, photography, sculpture, video and installation, and these immersive works are part of a wider line of enquiry into our complex world. The featured projects span the UK, USA, Germany, Canada, Australia, Taiwan and Brazil. Find out more and order your copy here

Watch 'The Sculptor Speaks' Ivor Novello Award nominee by Olivia Louvel

The Sculptor Speaks was nominated for an Ivor Novello Award in the Sound Art category at the Ivors Composer Awards 2020. I was delighted, how wonderful to be part of such a celebration of talents across the UK. The ceremony due to take place at the British Museum was cancelled, due to covid, but replaced with a broadcast on BBC Radio 3. I am very grateful for this nomination, it brought visibility to my project, and that means a lot, especially in the context of this challenging year. Sound artist Kathy Hinde was awarded the Ivor Novello in Sound Art for her excellent project ‘Twittering Machines’.

The Sculptor Speaks is a resounding of a 1961 recording of Barbara Hepworth’s voice, premiered on Resonance Extra, followed by an audio-visual iteration.

Watch ‘The Sculptor Speaks’ https://vimeo.com/438255942

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long covid by Olivia Louvel

15 December 2020

This week marks covid + 9. I have long covid.

Between the two weeks’ flu-like symptoms and the hospitalisation often leading to death, there is us, the long haulers. I’ve been wanting to write about my experience for a while, I was worried revealing something private, but the necessity of raising awareness on the long effects of covid overrides my usual reserve.

On the long covid cases, Danny Altman professor of immunology at Imperial College tells us that:

These figures are somewhat more worrying even than many had feared. If one extrapolates to global Covid-19 cases, this means there are 5-10 million people out there with a long-term condition for which we have no current explanation and no treatment plan. (…) There was no information on how long the condition lasts.[1]

I am on corticosteroids, Prednisolone 10 mg. This is a game changer; I can do things without the need of constantly having to rest after an activity. I have so much more energy - it is a drug. Until I started this medicine - two weeks ago - I was learning to pace myself. “Do one thing, rest, do another” was my motto. I’ve had several relapse episodes since March, I have been on antibiotics twice this year, and twice on the Otomize ear spray, a topical corticosteroid. Somehow, I have managed to complete my Barbara Hepworth project, and my masters thanks to an extension deadline, but it has been an incredibly challenging year. I can ‘t be on corticosteroids for ever, I am due to start decreasing the dosage soon. We will see.

To date I have yet to see a specialist. I have been referred urgently to ENT, and respiratory medicine but there aren’t any appointments available. The NHS is overstretched. I have had two consultations with Covid Rehabilitation over the phone. Emma, my consultant is lovely and she is also providing psychological support.

“Why me?”

The first consultation with Covid Rehab lasted an hour, gathering data we so can survey the long covid patients. But what about the Long Covid clinics, will they roll out shortly?

Soon we’ll understand how this virus operates, why my father got over it with no lingering symptoms and why I never completely recover. From the start, I had a multitude of symptoms, we now know that this is more likely to lead to long covid.

What we went through in March…I’m only just about coming to terms with it. I was not tested and could not see a GP until June. Being ill at home in quarantine, being worried that my husband and son would develop symptoms, that was incredibly challenging. I started developing a fever mid-March, very quickly things escalated, I had many symptoms besides the fever: cough, headache, ringing in the ears, earache, crackling sounds when inhaling, wheezing, tight chest, exhaustion, nausea… I called 111. They said “you are doing the right thing by calling us”. I mentally repeated “I am doing the right thing”. They said “as you know we are not testing people unless hospitalised”. I was to call back if I was experiencing respiratory distress.

I was isolating in the loft and I could hear Paul saying at the window “we are in self-isolation, just drop the stuff on the door step”. We had to get used to this new way of living. Maybe I just had flu?

On Day 9, Paul started to experience cold-like symptoms, his voice became lower… I was so worried for him, us…But no that was it, short-lived, and then he was fine.

A couple of weeks after I developed small cuts on all my finger’s joints, like tiny open wounds, thick patches, it was hell…The exhaustion was unbearable. I was told the skin reaction on the fingers can be triggered by the virus. “You must be patient”. “I must rest, be patient” I repeated.

Then my father in Paris developed a fever and a cough, he was tested positive, so was my step mother, she was positive/asymptomatic. I was never tested. The isolation with no medical support was taking its toll. I was dreaming of getting on my bicycle and going to the sea front… that was my goal. And then we did something extraordinary, we applauded our NHS workers. We united as a nation. I was infuriated by the lack of support, the lack of PPE and testing for our front-line key workers.

I was hoping I would eventually manage to do something meaningful, perhaps take a book or draw, but I was not yet ready. Then I eventually managed to sit under the sun in the garden, that was wonderful. How illness makes you re-evaluate tiny things. One morning, I went out for a brisk walk with Paul. I came back coughing and wheezing.

Once I got out of bed, and managed to do things around the house, I thought that was it, I’m feeling better, but then I entered another trying phase. I attempted too rapidly to do too many things and would often have to lay down and rest. I went back to online tai chi first, I was short of breath but I believe that tai chi did help my rehabilitation. I eventually went back to my kung fu training, I was doing my best, was at times fine, but then would have terrible days after, the crushing fatigue would come and go… and so little by little I realised “I am not fine”. I am not fine. This phase of lingering symptoms has lasted ever since. The cough never left me completely, a productive cough, the wheezing would come back at times, a crackling sound inside whilst breathing. I’ve had several chest infections since. And I developed another weird rash on my ankle, at times it is purple and flares up.

How can the outside world fully understand what goes on inside? I appeared fine – I was no longer bed-ridden, I had survived covid, but it felt like the virus was still in me. I was oscillating, with constant ups and downs depending on my activities.

Since I fell ill mid-March, I’ve had constant tinnitus, the right side is a pulsatile tinnitus (a whooshing sound synchronised to my heartbeat). The left side is a high pitch. Both sounds are there constantly,  when I wake up, when I go to sleep. My fear is to lose my hearing – as a sound artist, imagine.  I booked myself in for a test at Specsavers in August and my range of frequencies was still very good. So many people on the Long Covid Facebook support group experience severe tinnitus. I have tried to accept these internal sounds, and embrace them. This is the new me? Yes, it is the new me. My body is emitting these new sounds, they are my own soundtrack. I very quickly understood that if I was rejecting it mentally, it would drive me insane.  There are moments it tightens my head, giving me a headache, it is exhausting, but I try to accept it. Am I going to stay like that? I can’t wait to see a ENT, I need reassurance that hopefully there is no damage to the inner ear. My GP reckons that the virus has attacked the nerves, and she says that it can take a very long time to heal. Dr A. is great, I am fortunate I am being followed by her, she is due to check on me first week of January. I have a lot of time for her. Will this whooshing sound in my head - synchronised with my heartbeat- ever go? I was hoping the corticosteroids would reduce the tinnitus too but it hasn’t.

Reading the messages from people on the Facebook the Long Covid support group [4], I am thankful I can walk the stairs, and have resumed my activities. But covid is not solely a respiratory issue. It triggers inflammation, it appears from a latest research that the autoantibodies attack our own immune system.[2] , thus explaining a whole range of debilitating symptoms. Reading other people’s testimonies on the support group, I have found out that some people who’ve had a similar experience to me - covid in March/not tested - have found themselves in a difficult situation: they can’t get sick pay because they have no evidence that they had covid in the first place, nor can they get their insurance - in the USA - to cover their medical bills. This is tragic.

We need more resources for long covid, we need to nurture our health system. This pandemic reflects how advanced - or not – society is: if we can’t look after each other in illness, then we are failing. The virus has revealed the weakness in our health services and welfare.

Last spring, I was dreaming of a vaccine and I very much welcome the breakthrough from the Oxford team. Yes, I am pro-vaccine. Why is it that so many people tend to forget that if we have eradicated so many horrendous diseases, it is thanks to peer-reviewed medical research?

I am training tomorrow - a one-to-one class - in the park outdoor with my martial art instructor. Shaf has tailored my training and whenever I’ve had flare ups of cough, shortness of breath, we have been alternating between tai chi and kung fu forms.

I am hoping I will finally see medical specialists in 2021. I have been wanting to write an account on long covid for months but… it has taken me a while.

Stay safe, wear a mask. I wear a mask to protect you. You wear a mask to protect me.

The anti-maskers were operating during the great 1918 pandemic, they operate today. Wearing a mask does not diminish your manhood, Paul Watson[3]. It makes us human, caring for others.

Take care

o

 

 

 


[1] https://www.theguardian.com/society/2020/dec/16/long-covid-alarm-as-21-report-symptoms-after-five-weeks

[2] https://www.theguardian.com/science/2020/dec/13/autoantibodies-may-be-driving-severe-covid-cases-study-shows

[3] https://twitter.com/PrisonPlanet/status/1339092502272466945

[4] https://www.facebook.com/groups/longcovid

'The Sculptor Speaks' the original tape at the British Library by Olivia Louvel

This Friday my resounding of ‘The Sculptor Speaks' will receive its first transmission at 8pm (UK time) on Resonance Extra. https://x.resonance.fm/episodes/the-sculptor-speaks This first iteration is celebrating the date of birth of British sculptor Barbara Hepworth, 10th of January 1903.

The starting point for [Hepworth Resounds] was her extensive body of writings, which paved the way for SculptOr, a suite of nine pieces available as a sound object. However, I was also hoping to work with her voice as material… But I had yet to find it. When I discovered the existence of the 1961 tape ‘The Sculptor Speaks’, it made me feel like a sonic archaeologist! I spent a day at the British Library listening to digitised files: upon arrival I was allocated my own audio booth, I could listen to the audio documents, which I had pre-requested, amongst these documents was ‘The Sculptor Speaks’.

It took a few weeks to obtain the audio file of ‘The Sculptor Speaks’ from the British Library. Then time for me to approach the document and decide what I could do with the material, pondering which form this resounding could take. It was also intimidating. Besides, nurturing takes space; for me composition has always been a durational process, mostly because I need to spend a long moment with the material, I don’t want to rush nor part with it. As Hepworth says “I like to have a lot of material lying about the studio for a long time even for years so that I feel intimate with each piece”. Recently I wanted to find out more about the device used to record and the actual physical tape so I contacted the British Library. Lead Curator, Literary and Creative Recordings, Stephen Clearly provided me with some valuable information for my research. He ordered the tape and the CD created from that tape from their Yorkshire unit and sent me photographs of the original tape and box.

“We have the original 7” ‘master’ tape plus two copies (shelved at the same reference number): these are 7” and 5” diameter respectively. The copies were not made by the British Library – they were made by the British Council before we received the collection. These copy tapes have references to Finland and Bucharest, Romania, respectively, on the inner boxes. I presume these tapes were sent to British Council offices in these places. The audio file I have was made from a CD-R transfer of the analogue master, which was made in October 2000. “

Once the voice is recorded and stored it is somehow abandoned, in waiting; a sound object, which can potentially be at a later stage revisited by the artist, engaging with the material and bringing a new dimension.

The broadcast on Resonance Extra will be the first iteration: a sketch in stereo. Certain frequencies have to be reduced, I will miss the physical aspect, but it is wonderful that it is being transmitted. On her date of birth, the sculptor will speak, indeed.

Many thanks to Stephen Cleary at British Library.

Thank you to Sophie Bowness, trustee of the Hepworth Estate / DMSA, University of Brighton / Peter and Milo at Resonance FM.

#hepworthresounds